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| ISBN: 1 897648
45 6 |
| Pages:
96 |
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In
an array of approaches as varied as its subject matter, All the
Money in the World explores love, loss, music, mystery, tensions,
terrors, ecstasies, and endings. By turns lyrical, abstract,
anguished, celebratory, humorous and reflective, these poems move
between a nuanced appreciation of how things are and an intense
longing for how they might be.
John
Menaghan, born in New Jersey to Irish-American parents, is
Director of the Irish Studies and Summer in Ireland programs at
Loyola Marymount University in Los Angeles. Winner of an Academy
of American Poets Prize and other awards, Menaghan has published
poems and articles in Irish, American, and Canadian journals.
Spending summers in Ireland, he lives the rest of the year in
Venice, California with his dog and grand delusions. This
is his first book of poetry.
A
Poem from--
All the Money in the World
by JOHN MENAGHAN
Waking
to Find You Gone
I
peer through morning air.
A book, half-read the night
before, yawns face-up on
the floor, keeps its place
inside the windless room.
Last
night you slept in
moonglow, the room a zone
of light around your form.
Not as in this daylight
when the walls glare,
white and worn, but
honey-thick in darkness,
gathered gold. I scurried
in beside you to be warmed.
Without
your body by me,
I'm afraid. I simply
can't reach out, raise
up the shade or place
one naked foot upon
the floor, cold grey
tile sticking to my
sole, and feel reborn.
Woman at work, missing
midwife, I roll to
your side of the bed
and sleep away my life.
©
Copyright John Menaghan, 1999
PRAISE
FOR ALL THE MONEY IN THE WORLD
Menaghan was born in New Jersey to Irish-American parents. He
now spends summers in Ireland and lives the rest of the year in
Venice, California. Among other awards, he has won an Academy
of American Poets Prize. This is Menaghan's first published collection,
and as such it marks an auspicious beginning. Menaghan's work
is humorous, ironic, erotic, neurotic, and tender both by turns
and often simultaneously. In one poem, called simply 'Fire', he
describes the passion of two lovers in terms that are sensual
and metaphysical in a manner reminiscent of John Donne. 'We brand
our flesh forever with each other's fingerprints.' Many of the
verses in the first half of the collection dwell on relationships
in which there is at least the hope of sexual fulfillment, as
when a friend of the poet reveals she is considering becoming
a nun. 'I cup your marble hands in mine, and coax you into one
more glass of wine.' Here Menaghan's voice rings clearly and truly.
Menaghan's verse is quite wonderful.
Kirkus Review
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Other Salmon Books
by John Menaghan
She Alone (2006)
What Vanishes (2009) |