Richard W. Halperin's Anniversary reviewed by Carol Thistlethwaite for Carillon, Issue 30, pages 82-83, July 2011, Rotherham, South Yorkshire
This is the best collection of bereavement
and loss I have read for a long time: a wife, a father, friends, a one-off
glimpse, a moment. It is like a well smoked ham providing the consumer with all
the flavour and yet sparing them the eye-watering smoke. This is the residue
skilfully preserved by a poet who knows his craft. I was little surprised to
learn that some of these poems are competition winners.
We are shown how life goes on. And yet, how
people are recalled in an unexpected glimpse, a shawl, a thought surfacing. It
is an internal world of triggered memories and contemplations that challenge
how we see things. For example, But who are you when there is a sunflower?
Portrait
of a Portrait of My Wife explores the interplay
between now-deceased wife, the drawer (a former boyfriend), the husband (now
viewer) and that intangible something that hols all things together.
The planes of her face, the movement of his hand
(Two masters always, the drawn and the drawer)
A spot of light - hers? his? Difficult to tell with
portraits -
Just outside the frame.
The poise of the hand - hers to this day.
The stroke of the hand - his that day.
The eye of the viewer - mine, not yet twisted away
today.
And a spot of light just outside the frame, where
Poise, hand, eye coincide.
The poems have a well rounded feel about
them. There are moments of wit:
. . . she did not chose to be old,
but she could chose a hat,
and did.
And moments of linguistic playfulness
A landscape sheeped with dots
Verb in a pinafore
A lass this side of loss
Our world, less or more.
There are evocative moments
You turned a corner inside the little
rowboat
and burst into a million
colours.
I thought we were on a fishing
trip . . . .
and if you want to know more, you'll have
to read it yourself. You won't be disappointed.
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