Guarding the Flame
Page Count: 70
Publication Date: Saturday, July 30, 2011
Cover Artwork: Cover painting: ‘Pohutukawa Abstract’, acrylic on canvas, by Harold Coop, Auckland, New Zealand. Reproduced with the kind permission of the artist.
About this Book
Taking its title from the myth surrounding St. Bridgid’s flame in Kildare, Guarding the Flame takes us on a journey through familiar and unfamiliar lands, from Ireland, to Europe and Asia, and finally the country where Majella Cullinane currently resides, New Zealand. Her poems explore nature and dreams, real and imagined people, and the power of history and myth. The concept of home and the feeling of otherness, of belonging and unbelonging are punctuated with intimate observations on love, childhood and motherhood; the small moments that make us what we are, and the possibility of reinventing oneself.
Majella Cullinane was born and raised in Ireland. She became a New Zealand resident in 2008, and lives on the Kapiti coast. She has previously received a Sean Dunne Young Writer’s Award for Poetry, the Hennessy XO/Sunday Tribune Literary Award for Emerging Poetry and also an Irish Arts Council Award to study for an MLitt. in Creative Writing at St. Andrew’s University Scotland. She has been a Writer in Residence in Ireland and Scotland.
Read a sample from this book
Review: Guarding the Flame reviewed by Vaughan Rapatahana for a fine line, The Magazine of the New Zealand Poetry Society, January 2012
Let me make this quite clear right from the outset: Majella Cullinane can write; she is a damned good poet.
This is a quite quiet, understated, mellow collection; the whole tone reflects one of the thematic obsessions here: Autumn. Indeed there is a continual reflection on falling leaves, and the soft autumnal tones of this season – as witness titles such as ‘Leaves’, ‘Autumn Is Where You Find It’, ‘Autumn’s End’.
There is no bombast here, no overly academic accent on arcane and archaic allusions, nor is there deliberate obscurity or the pilfering of other languages so as to make the verse ‘politically correct’. This is not an extended exercise in pretentiousness.
Instead we sight some outstanding imagery throughout. Let me quote some examples, albeit shaken by me into isolation from their surrounding boughs:
There is also here, even more predominant than the reflections on falling leaves and the daubing of concomitant natural hues flecked with appearances of New Zealand native birds, a steady series of ruminations on what it is like to be a recent immigrant to Aotearoa-New Zealand: for Cullinane is an Irishwoman now faaaaaar from home. Indeed, this book is published by Salmon Poetry, County Clare.
Cullinane misses her turangawaewae (place of origin, genesis) quite badly; she is now ‘the orphan leaf, tossed from a branch’; wonders why she is in a home where there is:
& pines stringently for her Northern climes, her Northern pines:
Entire poems in this succinct collection cry her earlier home – ‘Not So far Behind’ and ‘Rooms’, for example, and especially, ‘A Distant Shore’ with its pangs and pains of being so far asunder:
A stranger in a strange land indeed. Robert Heinlein would be proud.
There are other reflections here, of course – pregnancy and impending birth; butterflies, butterflies and more butterflies, even to the extent of incorporating that mighty lepidopterist, Vladimir Nabokov; Irish mythologies and traditions, but nothing as potent as this wistful alienation. Let me quote one more poem, here in its entirety:
To borrow from Mike O’Leary, kia ora begorrah Majella. Despite your angst you are well on the way to full integration into the antipodal Aotearoa lifestyle. These are fine poems, real poems, honest poems. Foster the fires and warm yourself in that Kapiti home as Autumn drifts down to see his brother Winter. Keep guarding that flame. For, as you state it so well yourself:
Review: Guarding the Flame reviewed by Siobhan Harvey for Poetry NZ, Issue 44.
Guarding The Flame, Majella Cullinane, is the first full collection by a New-Zealand-based Irish author. It's a book underpinned by Cullinane's arresting use of language and imagery, as exemplified by the opening poem, 'Butterfly' which begins evocatively:
Time and again, as in verse such as the titular poem, 'The Kiss' and 'Autumn's End' the seemingly simple is transformed into something powerful. Thematically this combination of the unadorned and resonant finds fullest voice where the poems traverse issues of expatriation. 'Ruru', 'Emigrants', 'Memory of Birds', 'Paekakariki', 'Desert Road': here are poems which weave together a cogent philosophical exploration of migrant life. A first New Zealand collection is surely the next logical step for this promising poet.
Review: Guarding the Flame reviewed by the Tuesday Poem blog (New Zealand), October 2011. Editor: Tim Jones
The Force of Things by Majella Cullinane
I have tapped the arch of the scapula
where the skin dips
to the breastbone.
are the quivering feathers
rustling eucalyptus, macrocarpa, pine.
It’s a question of listening:
the guttural call of your dreams
a kind of offering
I nestle in the cup of my hands.
I snatch the ghost of things
you cannot see.
It is this that frightens you.
The wind holds its blade
against the night’s throat,
but like you, it too will soon forget –
the taste of my lips
buoyed in a gully of dreams.
"The Force of Things" first appeared in Takake 71, ed. Siobhan Harvey, and was published in Majella Cullinane's collection Guarding the Flame (Salmon Publishing 2011). It is reproduced here by permission of the author.
Majella Cullinane is an Irish poet who has recently emigrated to New Zealand. I heard her read her poetry at September's New Zealand Poetry Society meeting in Wellington, enjoyed hearing her poems very much, bought her debut collection Guarding the Flame, and am very pleased I did.
There are a lot of fine poems in this book, and I had a hard time deciding which of them to ask Majella for permission to publish as a Tuesday Poem, but I kept coming back to "The Force of Things". I like the way it takes the images of the natural world that recur through the collection and makes them both intimate and ominous. Restlessness without and restlessness within...
The poems in Guarding the Flame cover the poet's old life in Ireland, her new life in New Zealand, and the transition between the two. It's well worth reading if you like Irish poetry or New Zealand poetry - or if you just like poetry.
Tim Jones is the editor of this week's Tuesday Poem. Tim is a poet, author and editor who lives in Wellington, New Zealand, and won the NZSA Janet Frame Memorial Award for Literature in 2010. He is about to embark on a book tour with Keith Westwater, to launch Tim's new collection Men Briefly Explained and Keith's debut collection Tongues of Ash. This week, one of Tim's poems from Men Briefly Explained is Mary McCallum's Tuesday Poem, and next week Tuesday Poet Helen Lowe will post one on her blog.