“These poems – as one might expect from the title – play with the idea of what is ordinary and what, quite definitely, is not. A gentle humour occasionally underpins the tender moments when we discover vast prairies of feeling bound within the cargo of everyday living. A woman, bored with her husband, recalibrates her life for a while with a new, imagined version of love; a Killeen of stillborn babies becomes the trigger-moment of loss for a mother; and a country girl discovers what it is to be different from the more knowing town girls. This is an Ireland some commentators deny exists. But Moya Roddy offers the reader a series of unfiltered snapshots as if to reclaim it. Each poem finds its careful focus, allowing us to remember our own lost moments and enter into dialogue with a poetic voice that is authentic and truth-filled.”
Mary O’Donnell
“Stunning and memorable poems.”
Rita Ann Higgins
Praise for Moya Roddy’s other work
The Long Way Home:
“ … as the novel began to fall seamlessly together around the character of Jo Nowd, the realisation dawned that it is simply brilliant.”
Victoria White, The Irish Times
“… a writer who attained ‘a more complex and contradictory vulnerability’ in her work.”
Brendan Kennelly, The Irish Times
(in an article by Katie Donovan)
Other People:
“… very much a literary writer, her breezy style borrows something from the best popular fiction writers; Wordsonthestreet have done short story fans a big service by publishing Moya Roddy ...”
Kevin Higgins, Galway Advertiser
“… entertaining and thought-provoking … often haunting”
Eamonn Kelly, Books Ireland
The Day I Gave Neil Jordan a Lift:
“…a genuinely comic story … This is beautifully judged and paced and as sad as it is funny.”
Hugh Leonard, Sunday Independent