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Beautiful Lofty Things / Cahal Dallat

Beautiful Lofty Things

By: Cahal Dallat

€12.00
Neither object lessons nor exhibits in an esoteric cabinet of curiosities, Cahal Dallat’s poems, in Beautiful Lofty Things, spring from quotidian items and artefacts that connect poet and reader with an eclectic mix of people and places, from present-day Rajasthan, Slovakia, Kansas City and North Carolina via London, Montmartre and Morocco, to growing up in the Antrim Glens, and back through the unlikeliest of family heirl...
ISBN
Pub Date Friday, April 15, 2022
Cover Image Cover photograph: author's own
Page Count 92
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Neither object lessons nor exhibits in an esoteric cabinet of curiosities, Cahal Dallat’s poems, in Beautiful Lofty Things, spring from quotidian items and artefacts that connect poet and reader with an eclectic mix of people and places, from present-day Rajasthan, Slovakia, Kansas City and North Carolina via London, Montmartre and Morocco, to growing up in the Antrim Glens, and back through the unlikeliest of family heirlooms to Belfast and Ballycastle in the twentieth century's first half. 

Each inanimate object, its image facing the associated poem, animates the poet’s world of ideas and invention, thought and art, rumination and reflection, his quest for meaning in past and present, his exploration of events and individuals that shaped a personal identity.

Cahal Dallat

Canal Dallat is a poet, musician and critic. He was born in Ballycastle, Co. Antrim and now lives in London.  He has contributed to BBC Radio 4’s Saturday Review; winner of the 2017 Keats-Shelley Prize; founder/organiser of WB Yeats Bedford Park Artwork Project; 2019 joint Writer-in-Residence (with Anne-Marie Fyfe), Lenoir-Rhyne University, Hickory NC; 2018 Harry Ransom Center Research Fellow, University of Texas, Austin TX; 2017 Charles Causley Centenary Writer-in-Residence, Launceston, Cornwall. Previous poetry collections include The Year of Not Dancing (Blackstaff). www.cahaldallat.com

GIANT

The one exceptional thing about him – 
as we worked late August nights on import
software for Italian racing bikes for his friend Italo,
percentage landing charges, demurrage, lire
conversions and freight forwarding – 

was there was nothing exceptional about him 
if you ignored the tallest-man-in-the-country
thing, maybe in-the-world back then, and maybe 
his giant-size civility. And that we’d take 
our son to watch him at Sunday soccer

though basketball was his first love, or to see 
him play a circus giant in the Merrick film.
(Yes, in-the-world, probably – a Melbourne chain 
had him open ‘giant’ hypermarkets across that huge 
continent). And that his VW driver’s seat

was well in the back, his racing-bike a pair
of penny-farthing ‘pennies’ with eleven gears. 
Our children found out giants today 
far from overbearing could be wry,
awkward and funny – like, but not at all

like, anybody else. And even when he sat 
right down on our low-profile sofa 
he couldn’t avoid talking down to us.
The papers when he finally passed on
would focus mostly on the ten pallbearers.

"Giant" won the 2017 Keats-Shelley Prize



SCHLOSS STOLZENFELS

He’d wondered ever since what it was about, 
the night he’d walked alone at seventeen 

from Rhens to Koblenz, twenty-one kilometres 
round trip, on the edge of reason, the very edge 

of foolishness, through a steep dramatic gorge 
with its thundering autobahn, and two rail-tracks 

with regular one-hundred-truck freight trains, 
and a whole heaving Rhine of coal-and-steel barges;

wondered what made him sneak out of the student hostel
while others slept after the frantic evening 

at the hospital with a classmate’s injured hand, 
what made him bring wife and children back years on,

with high-talk of freeloading on Lorelei tourist barges, 
being plied with schnapps as he played a bar-piano,  

the Konigsbacher brauerei with plate-glass windows 
and huge Alsatians where he’d shared a watchman’s 

midnight bread and bratwurst, the castle you might see
cloaked inhabitants scale by moonlight. But what 

it was really about only clicked, decades later. 
Simply the first time ever no one in the world 

had even the remotest idea where he might be.

"Schloss Stolzenfels" was a commended in the 2017 Winchester Poetry Prize


THE TIME IT TAKES

In less than the time it takes Chris to give me what he swears won’t be short-back-and-sides, I get the ins-and-outs of the Mini Cooper his father bought cash-in-hand and clearly clocked outside Shepherd’s Bush Market to take them down the Old Kent Road and Brenner Pass …no Mont Blanc yet, we came over long before Makarios, before Grivas and EOKA B… 
I divide my barbering equally between both sides though Javid over-the-road insists it wasn’t like Ireland, shouldn’t have been partitioned, like Macmillan said, Greeks and Turks on the same streets in Larnaca, in Nicosia, more like both sides on the same Haringay Ladder streets today.
By which time Chris is past Split, father staring at tractor taillights doing 15 kph with an alfalfa-stacked trailer Dutch-barn high, seventeen hours out of Calais, and they’re still nineteen minimum from Piraeus, with another thousand kilometres by boat before they get to Limassol for the Holy Theophany, so that when I look down now on lit isolated farmsteads in snow-skiffed mountains (Macedonia, Albania?) two hours out from Larnaca on a four-hour night flight to Heathrow, I swear those are the dimly flickering lights of a trying-to-pass 1962 Mini whose alternator’s on the blink, days from ‘home’ or ‘back home’, and I think of meze and bread, and barbers.

All poems Copyright © Cahal Dallas 2022

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